{"id":9678,"date":"2021-05-17T11:28:43","date_gmt":"2021-05-17T08:28:43","guid":{"rendered":"https:\/\/teatrul-evreiesc.com.ro\/?p=9678\/"},"modified":"2025-02-11T14:53:57","modified_gmt":"2025-02-11T12:53:57","slug":"co-productie-in-premiera-tes-si-tdr-marina-si-ulay-de-edith-negulici","status":"publish","type":"post","link":"https:\/\/teatrul-evreiesc.com.ro\/en\/2021\/05\/17\/co-productie-in-premiera-tes-si-tdr-marina-si-ulay-de-edith-negulici\/","title":{"rendered":"Co-produc\u021bie \u00een PREMIER\u0102 – TES \u0219i TDR – MARINA \u0218I ULAY de Edith Negulici"},"content":{"rendered":"

the State Jewish Theatre<\/strong>, in partnership with Teatrul Dramaturgilor Rom\u00e2ni<\/strong>, prezint\u0103 vineri, 21 mai<\/strong> and s\u00e2mb\u0103t\u0103, 22 mai<\/strong>, de la ora 19.00<\/strong>, PREMIERA<\/strong> spectacolului MARINA \u0218I ULAY de Edith Negulici<\/strong>, regia \u0219i scenografia Alexandru Nagy<\/strong>.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Music and sound design:<\/strong> Dani Ionescu, Andrei Dobo\u0219<\/strong><\/p>\n\n\n\n

Choreography:<\/strong> Momo Sanno<\/strong><\/p>\n\n\n\n

Video and light design:<\/strong> Liviu Alecu<\/strong><\/p>\n\n\n\n

Clothing:<\/strong> IIANA<\/strong><\/p>\n\n\n\n

Cast<\/strong>:<\/p>\n\n\n\n

Marina: Alina Tomi<\/strong><\/p>\n\n\n\n

Ulay: Darius Daradici<\/strong><\/p>\n\n\n\n

Performers: Alina Tofan<\/strong>, R\u0103zvan Omot\u0103<\/strong><\/p>\n\n\n\n

Supranumit\u0103 \u201ebunica artei performative\u201d, Marina\nAbramovi\u0107 s-a n\u0103scut \u00een 1946 la Belgrad. \u0218i-a \u00eenceput cariera de artist\u0103\n performativ\u0103 \u00een anii \u201870, pe vremea c\u00e2nd studia la Academia de Arte\nFrumoase din Belgrad, multe dintre lucr\u0103rile ei timpurii fiind o form\u0103\nde rebeliune fa\u021b\u0103 de educa\u021bia ei strict\u0103. \u00cen performance-urile ei,\nAbramovi\u0107 \u00ee\u0219i folose\u0219te corpul ca pe un instrument de testare a\npropriilor limite fizice \u0219i mentale, provoc\u00e2nd spectatorii s\u0103 ias\u0103 din\natitudinea de contemplare pasiv\u0103. Lucr\u0103rile sale sunt caracterizate de\nrezisten\u021b\u0103 \u0219i durere, repeti\u021bie \u0219i durat\u0103, precum \u0219i de accentul pus pe\ninterac\u021biunea cu publicul.<\/p>\n\n\n\n

 Marina Abramovi\u0107 conduce Institutul \u201eMarina Abramovi\u0107\u201d,\n unde pred\u0103 abordarea dura\u021bional\u0103 asupra artei performative, numit\u0103\nMetoda Abramovi\u0107 \u0219i este unul din pionierii artei performance<\/em>, un icon<\/em>\n al artei contemporane, un univers. Crea\u021bia ei se \u00eentinde pe aproximativ\n 50 de ani, timp \u00een care a chestionat p\u00e2n\u0103 la extrem limitele corpului\n\u0219i ale min\u021bii. Totodat\u0103, a avut un interes deosebit pentru rela\u021bia\ndintre artist \u0219i public. A primit \u201eLeul de Aur\u201d la categoria \u201eCel mai bun artist\u201d, \u00een cadrul Bienalei de la Vene\u021bia din 1997 pentru instala\u021bia \u201eBalkan Baroque\u201d.<\/p>\n\n\n\n

\u00cen 2010, peste 750.000 de oameni au venit s\u0103 vad\u0103 \u201eThe Artist is Present\u201d, <\/em>retrospectiva\n de la MoMA a Marinei Abramovi\u0107, sper\u00e2nd s\u0103 aib\u0103 \u0219ansa de a sta \u00een fa\u021ba\nei \u0219i de a comunica non-verbal cu ea \u00een cadrul unui performance<\/em>\n f\u0103r\u0103 precedent, care a durat peste 700 de ore. Aceast\u0103 celebrare a 50\nde ani de art\u0103 performativ\u0103 revolu\u021bionar\u0103 a demonstrat \u00eenc\u0103 o dat\u0103 c\u0103\nMarina Abramovi\u0107 este o adev\u0103rat\u0103 for\u021b\u0103 a naturii.<\/p>\n\n\n\n

\u201e<\/em>Am sim\u021bit\nlibertatea absolut\u0103. Am sim\u021bit c\u0103 trupul meu nu are limite. C\u0103 durerea\nnu conteaz\u0103. C\u0103 nimic nu conteaz\u0103. \u0218i asta mi-a dat un sentiment de\neuforie.\u201d <\/em>(Marina Abramovi\u0107)<\/p>\n\n\n\n

\u201e<\/em>Marina \u015fi Ulay\nomagiaz\u0103 personalitatea cople\u0219itoare a superstarului Marinei Abramovi\u0107,\n\u00eentr-o mitologie dramatic\u0103 a crea\u021biei sale artistice extreme \u0219i\ncaptivante. Via\u021ba \u0219i opera ei sunt fascinante. Marina, \u00eempreun\u0103 cu Ulay,\n este tot. Tr\u0103ie\u0219te performance-urile \u0219i performeaz\u0103 via\u021ba. \u0218i totul\neste dragoste. Dar Marina este un uragan. E prea frumoas\u0103, prea creativ\u0103\n \u015fi prea puternic\u0103 pentru Ulay. \u00abUn artist ar trebui s\u0103 evite s\u0103 se\n\u00eendr\u0103gosteasc\u0103 de alt artist\u00bb, spune un manifest al Marinei Abramovi\u0107,\ndar Marina \u00eencalc\u0103 regulile jocului!<\/em>\u201d<\/em> (Edith Negulici)<\/p>\n\n\n\n

\u201eLa ce sunt f\u0103cute regulile, dac\u0103 nu pentru a fi \u00eenc\u0103lcate?\u201d <\/em>(Marina Abramovi\u0107)<\/p>\n\n\n\n

\u201e<\/em>Un spectacol de teatru mai\naproape de performance ca niciodat\u0103, care nu are menirea de a recrea\nmomentele emblematice realizate de cei doi mari arti\u0219ti, ci doar de a\ninstiga publicul s\u0103 \u00abscormoneasc\u0103\u00bb \u00een arhivele online, galerii \u0219i muzee.\n S\u0103 aprind\u0103 nimbul de foc al curiozit\u0103\u021bii spectatorului. Av\u00e2nd la baz\u0103\ncelebrul moment al re\u00eent\u00e2lnirii de la MoMA din 2010, spectacolul\ndezv\u0103luie partea nev\u0103zut\u0103 a rela\u021biei-tsunami dintre cele dou\u0103 for\u021be\ncreatoare.\u201d<\/em> (Alexandru Nagy)<\/p>\n\n\n\n

Biletele pentru cele dou\u0103 reprezenta\u021bii sunt disponibile \u00een re\u021beaua mySTAGE<\/strong> (https:\/\/www.mystage.ro\/spectacole\/marina–ulay-2692<\/a>).<\/p>","protected":false},"excerpt":{"rendered":"

Teatrul Evreiesc de Stat, \u00een parteneriat cu Teatrul Dramaturgilor Rom\u00e2ni, prezint\u0103 vineri, 21 mai \u0219i s\u00e2mb\u0103t\u0103, 22 mai, de la ora 19.00, PREMIERA spectacolului MARINA \u0218I ULAY de Edith Negulici, regia \u0219i scenografia Alexandru Nagy. Muzic\u0103 \u0219i sound design: Dani Ionescu, Andrei Dobo\u0219 Coregrafia: Momo Sanno Video \u0219i light design: Liviu Alecu Vestimenta\u021bie: IIANA Distribu\u021bia: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-9678","post","type-post","status-publish","format-standard","hentry","category-stiri"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/posts\/9678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/comments?post=9678"}],"version-history":[{"count":1,"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/posts\/9678\/revisions"}],"predecessor-version":[{"id":11530,"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/posts\/9678\/revisions\/11530"}],"wp:attachment":[{"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/media?parent=9678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/categories?post=9678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatrul-evreiesc.com.ro\/en\/wp-json\/wp\/v2\/tags?post=9678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}